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Born in 1976
at Morganton, North Carolina, in the foothills of the Appalachian Mountains,
Cameron showed an early love for drawing. His talent developed through
his childhood, winning home-town recognition for his drawings, paintings,
and carvings.
He earned his B.F.A. in painting and drawing from East Carolina
University in 1999. That same year, Cameron married Margaret Johnson, and
after enduring the worst flood North Carolina had seen in 500 years, they
decided to move to the desert. “We just needed to dry out,” he
laughs.
The young couple settled in Tucson,
and Cameron began painting daily. “I’d go on long hikes into the
desert in search of the perfect combination of composition, light and color.
Sometimes I’d drive half a day just to see, experience and paint another
of the exciting landscapes Arizona has to offer.”
In
June of 2000 he traveled to Feltre, Italy, a small town between the Dolomite
and Adriatic mountains. He painted landscapes and visited Venice and Padua,
experiencing first-hand some of the masters’ works.
Returning home, fueled by that
European experience, he painted with more discipline and intensity than
ever before. The images he created began to pile up in the studio. He had
a private showing of his work, selling eleven pieces in four hours, and
sealing for
life his commitment to life as an artist.
The
Max Gallery is proud to report that Cameron, our youngest artist, was featured
in the September 2004 issue of Southwest Art, in the article, “21
under 31.”
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“I
paint because I must. Something drives me to analyze an image and then capture
it on canvas. That image becomes a marker of time for me. I can look at a
painting I did a few years back and
be transported to that exact time, recall every aspect of
that moment.
“I
classify my style of painting as Neopressionism, a combination
of an expressionist use of color with the impressionistic goal of pursuing
the illusion of
captured light. Light is the biggest factor in determining what makes a painting
interesting. You can have a great composition, but if the lighting is flat,
the image will be dull and boring.”
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